PRESS RELEASE: Nina Paley Declines Screening Permission to Vagina Museum

Urbana, March 15 – Nina Paley, a renowned filmmaker known for award-winning films like Sita Sings the Blues and “This Land is Mine” has announced her decision to deny permission to screen her film Seder Masochism to the UK Vagina Museum, an organization which purports to stand for the values of respect, integrity, and inclusiveness, but which has demonstrated a pattern of behavior directly opposite of those aims.

Although Seder Masochism is Free Culture, dedicated to the Public Domain and therefore free to show, edit, reuse, remix, and redistribute by anyone, Vagina Museum Community Cinema Co-Founder Charlie Corubolo (They/Them) wrote in the UKVM’s enquiry, “Even if our understanding is that we can screen the film for free, we would like to ask you for permission to do so and if there is any requirement prior to the screening,” thus granting Paley this opportunity to deny.

As a committed artist who has produced comics, textile arts, films, books, and other works, Paley has historically supported the screening of her work by small organizations, schools, and festivals, believing that culture should be open, free, and inclusive of everyone. Seder Masochism has won awards from the Moscow Jewish Film Festival and Fantaspoa (Brazil), but since its release has been pulled from venues by fearful organizers who surrender to anti-woman activist calls for Paley’s works to be canceled due to her personal gender critical views.

Paley’s decision is extraordinary. This is the first time she has refused permission for a screening of her work, but Paley is standing up for the belief that an organization that purports to realize feminist goals must be consistently inclusive of women. When women objected to the Vagina Museum deploying woman-erasing language, the Vagina Museum reacted with derision and mockery, even referring to objectors by the misogynistic slur TERF. “How can I, as a woman, work with organizations that cancel women? I would be working against myself and my sisters,” Paley added.

Paley hopes this decision will encourage other artists and organizations to reflect on the values they support and promote their work through partnerships with organizations that respect women. “Organizations can support women by acknowledging the definition of women: adult human females. Until they do so, any claims to support women are meaningless,” said Paley. 

The Vagina Museum and others like it which wear a feminist cloak and then muddle and confuse the meaning of biological sex, conflate gender identity with sex, and deny the well-established historical oppression of women on the basis of sex, must be held accountable for their detrimental behavior against women.

For further information:

Nina Paley
nina_paley@yahoo.com
https://twitter.com/ninapaley

Nina Paley remains dedicated to free culture and the widespread screening and distribution of her work, which can be used without permission by anyone, even those she disagrees with.

Share

Reddit IAmA today, 2-4pm EST

DeathKillCycleAMAProof? Here’s your proof.

Head on over here between 2 and 4pm EST today, Friday February 27.

UPDATE: Reddit is not allowing me to post. On my own IAMA. Granted, this IAMA was set up by someone else, who said he had duly submitted my handle (Nina_Paley, created a week ago) to the mods. But it didn’t work. I was on the calendar, but I can’t respond to questions. I am not happy about this but mods aren’t responding, so I give up. You can AMA on Twitter instead.

UPDATE 2: after half an hour the problem was corrected, and I went back and answered questions.

 

 

Share

The Second Plague (Frogs) – rough

Music is from “Frogs” by DJ Zeph featuring Azeem, from the album “Sunset Scavenger.” It’s from 2004, making it the most contemporary song in the film. I almost used Taylor Swift’s 2014 “Bad Blood” for Blood, but I ended up deciding Josh White’s 1933 “Blood Red River Blues” was simply a better song. It wasn’t due to fear of lawsuits; I decided long ago not to allow copyright to determine my artistic choices. If you don’t know my stance on Intellectual Disobedience, you can learn about it here:
youtube.com/watch?v=dfGWQnj6RNA
and here:
blog.ninapaley.com/2013/12/07/make-art-not-law-2/

I’m curious what frogs DJ Zeph and Azeem were originally referring to. Here, of course, the frogs are these:

“3 And the river shall bring forth frogs abundantly, which shall go up and come into thine house, and into thy bedchamber, and upon thy bed, and into the house of thy servants, and upon thy people, and into thine ovens, and into thy kneadingtroughs:

“4 And the frogs shall come up both on thee, and upon thy people, and upon all thy servants.” -Exodus 8, King James Version

Share

This Land Is Mine is yours

Due to horrific recent events, This Land Is Mine has gone viral again.

Here’s a reminder that you don’t need permission to copy, share, broadcast, post, embed, subtitle, etc. Copying is an act of love, please copy and share. Yes means yes.

copying is an act of love, please copy and shareAs for the music, it is Fair UseThis Land Is Mine is a PARODY of “The Exodus Song.” That music was sort of the soundtrack of American zionism in the 1960’s and 70’s. It was supposed to express Jewish entitlement to Israel. By putting the song in the mouth of every warring party, I’m critiquing the original song.

 

Share