M Jan 26
‘Face to Face’ — A public dialogue about copyright, public domain, and filmmaking with public domain expert Jennifer Jenkins and independent filmmaker Nina Paley
M Jan 26
Sita Sings the Blues
Animator. Director. Artist. Scapegoat.
M Jan 26
‘Face to Face’ — A public dialogue about copyright, public domain, and filmmaking with public domain expert Jennifer Jenkins and independent filmmaker Nina Paley
M Jan 26
Sita Sings the Blues
above: at a different glamorous, star-studded award thing
I’ve been nominated for a Spirit Award, and I’m auctioning off a DREAM* DATE allowing the lucky winner to attend the glamorous**, star-studded*** Spirit Awards with me. Bidding closes Jan-29-09 19:42:45 PST.
Date: February 21, 2009
Arrivals: 11:30am
Lunch: 12:30 pm
Ceremony: 2:00pm-4:00pm
Location: Santa Monica Beach, Los Angeles
Age, race, caste, gender, orientation, marital status no bar. Getting in usually costs at least $2,500 per person.
This is part of a fundraising drive to get my award-winning feature film, Sita Sings the Blues, out of copyright jail.
The lucky winner will get to prance down the Red Carpet with me (photographers! paparazzi! none of whom will know who the hell we are because they all want photos of movie stars), eat whatever they serve for lunch, drink the booze that inevitably flows freely and at film events (I personally don’t drink, so if you’re sober at least you’ll have me to talk to), clap politely, and listen to me yak on and on about copyright reform and freedom of speech. Optional: pick me up from my friends’ house in Glendale (because I don’t drive – I’m a New Yorker!) and enjoy VIP valet parking!
Also you’ll get the satisfaction of supporting Free Speech.
BID HERE! You have until January 29.
*asexual dreams only
**ugh
***the joint’s gonna be crawling with celebrities
Sita Sings the Blues is going to be broadcast on New York PBS station WNET Channel 13 on They haven’t chosen the exact date yet, but it will be sometime in March Saturday March 7 at 10:45pm on the series Reel13.
PBS enjoys a special privilege among broadcasters: they can legally broadcast music without having to clear individual master or synchronization licenses. That means even while Sita is in copyright jail, she can still legally air on PBS. WNET is hoping to be the first of many PBS affiliates to air the film. You can write or call your local PBS affiliate and ask them to broadcast Sita too!
WNET is our first experiment with Sita’s copyleft plan. Although the film isn’t free under copyleft yet (because I still haven’t received the promised contracts from the rightsholders, let alone raised the money), we’re acting in accordance to those principles already. WNET is making a voluntary payment equivalent to what they normally offer programs on Reel13. That’s $3,000, a third of which will be spent updating the credits and having a new HD master made to their specifications. They understand Sita is non-exclusive, and that any derivative works they make (such as subtitles) must also be open-content. But as long as bad copyright laws prohibit everyone else from broadcasting Sita, PBS gets exclusive access by default.
We’re still looking for donors and underwriters. Want to see your name on PBS? Here’s the credit breakdown:
The credits lock Friday February 13. That’s exactly four weeks from today. After then, you can still donate (we hope you will!) but the tape will be locked for WNET.
Please donate here. Donations under $250 still gratefully appreciated, and all donor names (even the smallest) will be acknowledged in a special credits section on the official DVD, as well as the upcoming official web site.
Alienating film critics seems like a very bad move for Hollywood, but that’s not stopping them:
“When the history of intellectual property law is written, January 12, 2009 should be marked as a decisive moment. It was the day that my friend, fellow House Next Door contributor and sometime filmmaking partner Kevin B. Lee saw his entire archive of critical video essays deleted by YouTube on grounds that his work violated copyright.” more…
Colbert is excellent here. “Remember, NO REMIXING!”