Ich bin kein Berliner

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That’s right people, I’m not a Berliner, so I can’t hit up my neighbors to offer crash pads for some of Sita’s voice artists and musicians who want to attend the premiere at Berlinale ’08. But I can hit up complete strangers in cyberspace! The festival only covers my hotel for 5 days (of a 10-day event) and isn’t covering any of the actors and musicians. If you’re in Berlin and want to hear the pitter-patter of creative feet in your guest room, please contact me! Sofas and floor mats are fine too – these are artists, used to bohemian living. Everyone who worked on Sita is sweet, talented, intelligent, mature, responsible, and lots of fun – I really lucked out.

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The Midwest: kind of interesting, actually

Hoarfrost by Jean Paley

It turns out my Moms is a good photographer. All those years growing up it was my Dad who carried cameras everywhere, built a darkroom in the basement, walked around in a khaki vest stuffed with oversized lenses… but last year my Moms decides to get a digital camera, and the next thing you know she’s sweeping all the awards at my Dad’s camera club competitions. Here’s why.

My parental units still live in Urbana, IL. As my sister once said, “I’m glad I grew up in Central Illinois, otherwise I never would have seen it.”

Speaking of my hometown, I recently read Finding Iris Chang by Paula Kamen. Iris Chang was also from Urbana; we were the same age and attended the same High School, which I discovered we both hated. But I barely knew her. Iris went on to write the famous book The Rape of Nanking. She committed suicide in 2004. That’s a conversation stopper, huh? Um, anyway…I liked the book. And not just because I’m quoted in it. It’s a good read.

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Got Accent?

We need some VOICE EXTRAS for a last-minute crowd recording for Sita Sings the Blues. If you’ve got an authentic accent from India, Pakistan, Sri Lanka, Bangladesh, or anywhere else in South Asia, or even Thailand, Cambodia, Malaysia or Indonesia (all of which have Ramayana traditions) and can come to a recording studio in Manhattan this Thursday Dec. 20 around 7pm, please email ASAP. No $, but you’ll get a credit in the film. nina underscore paley at yahoo (dot com).

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Render Unto D-Cinema

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So I haven’t raised enough money to make a 35mm film print (yet). But I did raise enough to make a Digital Cinema Package, because the Stuttgart International Animation Festival offered a deal. And I borrowed enough to buy a new computer to re-render the entire 82-minute feature at a suitable higher resolution.

See, when I started Sita Sings the Blues, I couldn’t afford the processor power or disk space to work at the ideal resolution: 1920 x 1080 pixels. Instead I compromised at 1280 x 720 pixels, which in spite of being half the ideal resolution looks almost as good. The 35mm film test I did of Battle of Lanka looks great, anyway. But film has a natural grain, plus film floats around the screen a little, a result of analog frame registration (aka sprockets), both of which mask and “warm up” digital flaws. D-Cinema, however, has rock-solid registration and no grain, making it potentially less forgiving than film. Meanwhile computers and hard drives have gotten predictably cheaper since I began the project, and December is a “lost month” in New York anyway, it’s not like I’d have any freelance gigs or make any headway on promotions, and everyone gets lazy at work or leaves town, so… here I am, watching little blue progress bars for hours and days on end. Boring? You bet! But it will make the movie look infinitesimally better, so it’s all worth it. Also, D-Cinema supports 6-channel audio, so my sound designer is planning a super-duper surround-sound experience, which will make the picture look a lot better.

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