Who is Producer X?

Astute observers of Seder-Masochism will notice one “Producer X” on the poster:

Poster_ProducerX

This is consistent with the film’s opening credits:

Moses_ProducerX_edit

and end credits:

Endcredit_ProducerX_edit

Why? Who? WTF?

I made Sita Sings the Blues almost entirely alone. That caused an unforeseen problem when it came time to send the film out into the world: I was usually the only person who could represent it at festivals. Other films have producers who aren’t also the director. Other films also have crews, staff, multiple executives, and money. As SSTB’s only executive, I couldn’t be everywhere at once. Often I couldn’t be anywhere at once, due to having a life that includes occasional crises. Sometimes, if I was lucky, I could send an actor like Reena Shah, or musician like Todd Michaelesen, or narrator like Aseem Chaabra, or sound designer Greg Sextro. But most of the time it meant there was no human being representing the film when it screened at film festivals.

I’m even more hermitic now, and made Seder-Masochism in splendid isolation in Central Illinois. This time I worked with no actors, narrators, or musicians. I did try recording some friends discussing Passover, but that experiment didn’t make it into the film. Greg Sextro is again doing the sound design, but we’re working remotely (he’s in New York).

I like working alone. But I don’t like going to film festivals alone. And sometimes, I can’t go at all.

Such as right now: in June, Seder-Masochism is having its world premiere at Annecy, but I have to stay in Illinois and get surgery. I have an orange-sized fibroid in my cervix, and finally get to have my uterus removed. (I’ve suffered a lifetime of debilitating periods, but was consistently instructed to just suck it up, buttercup; no doctor bothered looking for fibroids over the last 30 years in spite of my pain. But now that I’m almost menopausal, out it goes at last!)

Film festivals are “people” events, and having a human there helps bring attention to the film. The reason I want my film in festivals is to increase attention. The more attention, the better for the film, especially as a Free Culture project. So I want a producer with it at festivals.

Fortunately, Producer X has been with Seder-Masochism from the very beginning. After Sita’s festival years, I knew that credit would be built into my next film.

So who is Producer X?

Whoever I say it is.

She’ll see you in Annecy!

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Seder-Masochism website and trailer

Behold sedermasochism.com!

And here’s the trailer:

Seder-Masochism Trailer April 2018 from Nina Paley on Vimeo.

Designing a Poster

SMPoster32_24x36 - Frame 56

So many iterations of this poster! This is version #32. A few earlier versions below:

SMPoster16_24x36 - Frame 108_2

SMPoster11 - Frame 23

L’Shana Haba’a

L’Shana Haba’a from Nina Paley on Vimeo.

Next year in Jerusalem!
Music: “L’shana Haba’a” performed by the Breslau Synagogue Chorus, c. 1998

Civilization

silhouettes

Plowman

Continue reading Plowman

God Is Male

God Is Male from Nina Paley on Vimeo.

Goddess x Patriarchy = Mary

Words by Connie Bryson & Nina Paley
Music composed by Nina Paley
Organ arranged and performed by Camille Goudeseune
Sung by Nina Paley

Want to record better vocals? Please do! Download the organ track at archive.org/details/godismaleorgantrack and record away.

Lyrics:

God is Male.
He’s old, he’s white.
His beard is long,
His asshole’s tight.
He watches everything you do,
and then He throws the Book at you.

Mighty father in the sky.
Mighty chromosomes XY.
Like the sons of Israel,
God’s a patriarchal male.

 

God Is Male from Nina Paley on Vimeo. Goddess x Patriarchy = Mary Words by Connie Bryson & Nina Paley Music composed by Nina Paley Organ arranged and

Continue reading God Is Male

The Birth of YHWH

The Birth of YHWH from Nina Paley on Vimeo.

Music: “Schopska Pesen” (Diaphonic Chant) performed by the Bulgarian State Radio & TV Female Vocal Choir, c 1987
“Used to Love Her” by Guns N’ Roses, c 1988

In a recent essay, I wrote:

God used to be female. All of Her attributes were taken over by the male God. Creation, fertility, vegetation, the bringing forth of food, life and death – all that was once the Goddess’s is now God’s. It’s like the male God put on Her clothes, and then “identified” as Her, and there’s no Goddess any more.

This short clip began as an attempt to illustrate that.

 

The Birth of YHWH from Nina

Continue reading The Birth of YHWH

Mother Earth

 

Continue reading Mother Earth

Paroles, Paroles (Words, Words)

Paroles Paroles from Nina Paley on Vimeo.

Directed, animated, designed, etc. by Nina Paley
Hebrew consultant: Aharon Varady
Subtitles to come once I figure out how to make them Subtitles on everything except the repeating end verses, because I manually typed my first ever SRT file at 5am

Song: Paroles, Paroles
Score: Gianni Ferrio
Lyrics: Leo Chiosso and Giancarlo Del Re
Vocals: Dalida (Goddess) & Alain Delon (God)
circa 1973

(song abridged by Nina Paley)

English translation:

Male/God: IT’S STRANGE
I DON’T KNOW WHAT IT WILL BE LIKE FOR ME TONIGHT
I LOOK AT YOU AS I DID THE FIRST TIME

Female/Goddess: MORE WORDS, ALWAYS WORDS
THE SAME WORDS

M: I DON’T KNOW HOW ELSE TO TELL YOU

F: JUST  WORDS

M: BUT YOU ARE THAT BEAUTIFUL LOVE STORY
THAT I WILL

Continue reading Paroles, Paroles (Words, Words)

Gender Colonialism

Last week I posted on fecebook “If a person has a penis he’s a man,” which led to my widespread denunciation as a “transphobe.” I’ve written about this before, and anyone paying attention should know better, but I nonetheless commented this:

No matter how many times I state that I have trans friends, was standing up for trans people before the current crop of MRA “transactivists” was even born, and continue to defend the human rights of trans people, people accuse me of the opposite. I tire of defending myself, and it makes no difference anyway. I hated seeing the trans movement get taken over by misogynistic men’s rights

Continue reading Gender Colonialism

You Gotta Believe

Why not believe in Her?

You Gotta Believe from Nina Paley on Vimeo.

 

In this episode of Seder-Masochism, Moses is confronted by the goddesses the Patriarchy is about to crush.

Directed animated etc. by Nina Paley (me)
Music: “You Gotta Believe” written by Norman Whitfield, sung by the Pointer Sisters, circa 1976
Free goddess gifs at blog.ninapaley.com/2018/01/01/24-free-goddess-gifs/

The lyrics are extremely clear in some places and hard to decipher in others. At two points the Pointer Sisters sing, “why don’t you let the Wilson Sisters set you free?”  Who are the Wilson Sisters? Does anyone know? Here are the lyrics I’m confident are accurate:

You gotta believe in something

Why not believe in me?

You gotta believe in something

Continue reading You Gotta Believe

Sphinx

This sphinx isn’t a goddess due to indeterminate femaleness. This sphinx also has indeterminate lion-ness, bird-ness, and human-ness. Xir is interspecies non-trinary.

This sphinx isn’t a goddess due to indeterminate femaleness. This sphinx also has indeterminate lion-ness, bird-ness, and human-ness. Xir is interspecies

Continue reading Sphinx

Someone Is Wrong On The Internet

Someone is wrong on the internet
Somewhere’s a clue someone didn’t get
Someone is wrong but they think they’re right
Someone is wrong online tonight.

Maybe they’re right and I’m really wrong
Maybe they’re writing a better song
Maybe someday on the internet
Someone and I might get along.

Someone is wrong on the internet Somewhere’s a clue someone didn’t get Someone is wrong but they think they’re right Someone is wrong online tonight. Maybe they’re right

Continue reading Someone Is Wrong On The Internet

24 Free Goddess Gifs

                

Here are 24 individual goddess gifs to use for whatever. Free Culture. No permission needed. Go crazy. I love you.

                 Here are 24 individual goddess gifs to use for whatever. Free Culture. No permission needed. Go crazy. I love

Continue reading 24 Free Goddess Gifs