I am a better line processor than any algorithm we currently have access to. Behold what I turned into a SINGLE LINE by hand:
Look upon my works, ye mighty, and despair!
Many people think we’re using Mathematica to do the drawings of our Quilt Money. We’re not! I am drawing all this stuff by hand. Theo uses Mathematica to route my drawings that contain T-intersections, but I’m learning to make my drawings single lines without T-intersections by hand, because they route much better that way. Everything below was drawn by me, by hand:
Only a few bits (the seals and part of the border) need to be routed in Mathematica. Everything else I drew as single paths. Which is quite a brain-hurter, lemme tell ya. Here’s a screen capture of me working on this same project last week:
I could do this much more efficiently now, using what I’ve learned since then. Which is good, because the better I get at this, the more I can help someone else create algorithms to automate this kind of work.
And yes, at some point we hope to offer an affordable $100 Quilt. But first I have to get the design right, and then our potential partner has to be able actually produce it without losing money. We’re working on it.
Our quilted money is one of the few things I don’t share source (in this case, vector) files for, because currency isn’t exactly like other culture, as I explain here.
Available until December 3 here! There’s a pull-down menu that lets you choose between men’s and women’s crew necks, v-necks, and unisex long sleeved shirts. Teespring worked great for the Passover Satyr shirts – I was pleased with the quality of both the screen printing and the shirt stock. This is a much easier way for me to produce shirts than trying to figure out demand in advance and paying for everything up front.
Here’s a time-lapse screen-capture of me working in Macromedia Flash 8. This little bit of animation is unlikely to make it into the finished movie, as I later decided on a different approach here. This just shows one aspect of how I use Flash; other work videos to come. Thanks to the Blender Institute for posting this and thinking about maybe possibly developing FLOSS vector animation tools.
Was Moses a shepherd or a goatherd? I now have both sheep and goats for Seder-Masochism. The sheep design I made a few years ago; the goat I made this week. I much prefer it to this goat design from 2012 (which was just rehashed from Agni’s mount in Sita Sings the Blues):
There’s also this embroidermation goat I designed for the all-embroidermated Chad Gadya section of Seder-Masochism, still to be photographed:
That’s 3 goats I’ve designed so far, for one movie. I’m only going to use the most recent 2.
Character designs for male and female Hebrew slaves for Seder-Masochism. Yes I grossly exaggerate contrasting male and female traits like shoulders, hips and waists. It’s a cartoon. These guys are on a 27-frame cycle because that’s the closest beat to the song I’m using.
…but we probably didn’t look this hot: Character designs for male and female Hebrew slaves for Seder-Masochism. Yes I grossly exaggerate contrasting male and female traits like shoulders, hips
When I told a (gentile) friend I was making a movie about the Seder, she thought I said “satyr.” The idea cracked me up, but I didn’t illustrate it because who needs more associations of Jews with horns and cloven hooves? Until now. Here is the Passover Satyr.
I was worried this was in questionable taste. Too soon? But after posting this illustration on Facebook, so many people asked for a T-shirt that I set one up for pre-orders here.
You have until November 3 to order one.
When I told a (gentile) friend I was making a movie about the Seder, she thought I said “satyr.” The idea cracked me up, but I didn’t
The most recently-completed scene from my feature-in-progress Seder-Masochism.
written, directed, designed, animated, produced, etc. by Nina Paley
music from “Spider Suite” by The Duke of Uke and His Novelty Orchestra
sound effects by Greg Sextro
DONATE HERE: questioncopyright.org/sedermasochism
Based on Exodus 12:
21 Then Moses called for all the elders of Israel, and said unto them, Draw out and take you a lamb according to your families, and kill the passover.
22 And ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door
Single-line art is the holy grail of quilting design: the sewing machine head can stitch the entire design without starting, stopping, or breaking thread. To illustrate this for an upcoming talk I drew a holy grail as a single-line drawing. I did this by hand in Flash, and made this simulation of a simulator by deleting line segments one at a time.
I would love a program that intelligently automatically converts my line art into single-line art. Theo made something like that already, which preserves all the line segments and relies on back-tracking. But I’d also like something that replicates what I did here by hand: removing and adding small line segments so no back-tracking is needed. It
I just finished animating the “Death of the Firstborn Egyptians” (Exodus 12) scene for Seder-Masochism. It clocks in at 7 minutes 6 seconds. As soon as it gets some extra sound effects I’ll release it online, coinciding with a fundraising drive for the movie. Meanwhile here are some stills.
I just finished animating the “Death of the Firstborn Egyptians” (Exodus 12) scene for Seder-Masochism. It clocks in at 7 minutes 6 seconds. As soon as it gets some extra
I seem to have created something that looks great as an endlessly looping gif, but is hard to fit into the movie I created it for. I’m still trying to fit it in without overwhelming any scene it appears in.
I seem to have created something that looks great as an endlessly looping gif, but is hard to fit into the movie I created it for. I’m still