Shit

Actually the DVDs have too many visual errors – from the messed-up HD master I was never able to view, because who has an HD system? – and I have to start from scratch, making a new HD master, new exhibition tapes (for the festivals that aren’t showing 35mm) and, if DVDs are to circulate at all, new DVDs. Please ignore my previous enthusiasm. This is the fault of my Post-Production Supervisor, who I am firing immediately. Oh wait that’s me.

I also accidentally dropped a Cintiq stand on my toe:

My Toe After Dropping a Cintiq Stand on it (click thumbnail – or should I say toenail? – for larger photo in gross-o-vision)

Yes, it’s been another bad day, but all is not lost, just the $7,500 I spent on DVD authoring and manufacturing, plus the $1,500 or so I spent on the HD master and all the HD, Beta, DigiBeta, and DVCAM tapes I made from it. Because I have an Idea. A Very Good Idea, I promise. More on that tomorrow. I’m going to bed now.

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“Review Copies”

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Look what arrived today! Thanks to Gillian and Sylvie at Elektrofilm for the professional authoring in both PAL and NTSC formats that hopefully won’t crash like my home-authored version, and especially to my genius Momz for managing what turned into a more complicated logistical challenge than any of us imagined.

These aren’t for sale, of course – that would be illegal. They’re just festival screeners and review copies for, like, reviewing and screening in a festive manner.

Update: That said, it has some, ah, glitches. Glitches that apparently some people won’t notice, or think I did on purpose, but watching them feels like knives in my heart. Glitches which I must correct on the “next” version. Glitches which were in my HD master. Oh boy.

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Information wants to be free, and so do I.

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My main goal with Sita Sings the Blues was always to have people see it, but the movie business makes that very difficult. I’ve been trying to go the movie biz route, really trying, with a sales rep and everything, but I’m about to throw in the towel. Distributors gain exclusive rights, and if they don’t exploit those rights competently, your film remains unseen (and for a little indie feature like mine, they offer to pay shit for those rights). Television actually pays very little for indies – about 1/6 what studio films get. Then there’s the problem that I can’t afford to sell my own film, due to the cost of officially clearing rights to the underlying compositions (the Hanshaw recordings aren’t protected by Federal Copyright law but the songs’ underlying compositions are still controlled by publishers and estates). I already owe $6,000 just for “festival rights” – the right to lose money sending the expensive prints to film festivals. To officially sell DVDs, I’ll need to purchase even more expensive rights – at prices designed for moneyed studios, not broke artists – and buy “E and O Insurance,” and doG knows what else. Yeah, yeah, I knew this going in, but I expected a distributor to pay for some of it. These costs are a pittance by studio standards, nothing at all really, but I’m still an “indie,” and no matter how many awards Sita wins, no distributor is going to spend real money on her.

I just want people to see the movie.

So last night I thought, maybe it’s time to investigate Plan C – giving it away for free. But how? Free online video like youtube is too low-quality, plus it’s not set up for feature-length works. I’m happy to give the film away for free, but I don’t want it to look like crap! There are higher-quality online venues like itunes, but those aren’t free. I’m pretty adamant about it being free, because

a) I can’t afford to sell it (see above)

b) no one should be denied viewing for lack of funds

c) I detest the movie business and their Digital Rights Management, and don’t want my film used to support their bullshit.

Yes, it would cost money to give Sita away – someone would have to donate a lot of server space and management. But it could be a worthy cause. Has anyone ever given away a really excellent, award-winning feature film online before? Maybe we could start a new trend. I’d ask for donations, of course – to me as an artist, not for the film – and there’s always merchandise, if the film gets really popular. I know many readers of this blog and fans of Sita are progressive, creative computer types. Any ideas? Any friends in high places who could help? I made Sita by ignoring the rules of filmmaking, I’d like to distribute her the same way. Information wants to be free, and so do I.

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Sita FAQ #126: How can I get the DVD?

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I’m getting a lot of requests for Sita Sings the Blues DVDs, but unfortunately they’re not yet available for sale. The film’s sales rep has asked until the end of July to try to make a deal with a US distributor. I can’t release a DVD before then, because distributors all want DVD rights. Also, most festivals won’t accept films that are already available on DVD. So for now, we must wait. By the end of the Summer, Sita will either have a distributor, with an estimated release date for the DVD; or Sita won’t have a distributor, in which case I’ll publish and sell DVDs myself. Thank you for your patience!

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Return of the Stork

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My short film The Stork went missing recently – in fact its entire host, clusterfunction.com, was alarmingly missing from the interwebs for a while. But it’s back now (whew!), and cluster-functional as ever. Nonetheless, here’s a link for another host, Channel13. (The clusterfunction link can always be accessed by clicking the little picture of a stork head on the right-hand column of this page. Click all the different pictures and see what happens!)

Channel13, like Frederator before them and every other corporate or commercial or just plain big web site wants me, the media creator, to direct my fans to their site for their benefit, throwing in a small bone – you can vote for my film, and if it wins it’ll be broadcast on Channel 13 next Saturday, and I’ll get $500. I can tell you that in spite of countless friends and family voting for the Sita Trailer, it failed to win the “Freddie Award” – meaning some other creator managed to send even more of their friends and family to the site (for free of course). So I’m not very optimistic about “winning,” and I’m pretty ambivalent about these contests, as they exploit small non-commercial fan communities. However, I want both the Sita Trailer and The Stork to be seen by as many people as possible, so I’ll continue to let bigger websites use them as hit-bait under the guise of a contest. I guess. Maybe.

Oh yeah, feel free to vote. Or not.

UPDATE: “Stork” didn’t win, but did lead for a while. Thanks to everyone who voted for it!

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